DVDpedia : Library : Title : U

Theatrical: 2000

Studio: Universal Studios

Genre: Action & Adventure

Duration: 116

Summary: Taut and gripping, "U-571" follows the exploits of a fictional team of World War II U.S. submariners who undertake a secret mission to capture a German Enigma machine to decode German documents. Writer-director Jonathan Mostow ("Breakdown") tells an intense, economical tale, reminiscent of the best classic war films, while infusing it with modern sentiments.
Spring 1942: A crew of young submarine sailors are on a much-needed 48-hour liberty when they're suddenly called together and engaged in an expedition. At the helm are Lieutenant Commander Mike Dahlgren (Bill Paxton), Lieutenant Andrew Tyler (Matthew McConaughey), and Chief Klough (Harvey Keitel). Other pivotal crew members include Tyler's Annapolis pal Lieutenant Pete Emmett (Jon Bon Jovi, proving his acting mettle) and Lieutenant Hirsch (Jake Weber), who, along with Marine Major Coonan (David Keith), organizes the mission. As much of the movie takes place in a submarine during WWII, there are inevitable comparisons with the technical masterpiece "Das Boot", but Mostow's masterfully shot tale can hold its own.
McConaughey's Tyler is believably earnest as he comes to grips with the reality, tragedy, and consequence of being in command. While this explosion-filled film consistently maintains its tense pace (as did the underrated "Breakdown"), it also presents with surprising restraint a genuine human story--and the remarkable journey of an unexpected hero. "--N.F. Mendoza"

Theatrical: 1998

Studio: Warner Home Video

Genre: Action & Adventure

Duration: 131

Summary: An ultimately futile attempt to make lightning strike twice, this so-called spinoff from 1993's blockbuster "The Fugitive" avoids the label of "sequel" by forging ahead without the first film's star, Harrison Ford. The idea is to showcase the return of Tommy Lee Jones in his Oscar-winning role as tenacious U.S. Marshal Sam Gerard, this time testing his mettle against a covert government operative (Wesley Snipes) accused of murdering two secret service attachés. Unfortunately, Jones and the entire cast have been trapped in a rambling plot, and the underdog status that made Ford such a compelling hero is sacrificed to an evenly matched and eventually tiresome game of cat and mouse, with a villain whose identity is far too predictable. With no dramatic buildup and several superfluous characters to distract its focus, the film's momentum plays out like a rote exercise compared to the high stakes of the earlier film. "--Jeff Shannon"

Theatrical: 1989

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 97

Summary: "Weird Al" Yankovic, Kevin McCarthy (Innerspace), Michael Richards ("Seinfeld"), David Bowie (The Cable Guy), Victoria Jackson ("Saturday Night Live") and Fran Drescher ("The Nanny") star in this inspired comedy about an offbeat guy who turns a deadbeat TV station into a raging success! Broadcasting Weird Al's uniquely strange brand of humor, UHF's Channel 62 is a place you'll want to visit...with increasing frequency! George Newman (Weird Al) is a daydreamer whose hyperactive imagination keeps him from holding a steady job...until his uncle hires him as manager of Channel 62, a TV station that's losing money and viewers fast. But when George replaces the station's reruns with bizarre programs like "Wheel of Fish," "The Wonderful World Of Phlegm" and "Raul's Wild Kingdom" (where poodles fly from third-story windows), ratings begin to soar! But as the ratings rise, so does the wrath of TV mogul R.J. Fletcher (McCarthy), who wants to turn the station into a parking lot. Can George find the money he needs to stay on the air? Stay tuned!

Theatrical: 2008

Studio: Warner Home Video

Genre: Science Fiction & Fantasy

Duration: 505

Summary: The definitive 7-disc Blu-ray set, The Ultimate Matrix Collection features all three films in the trilogy together for the first time ever with a newly remastered picture and sound for The Matrix. Also included is the companion piece The Matrix Revisited and the best-selling The Animatrix, plus five entirely new Blu-ray discs packed solid with brand-new supplemental materials that encompass every aspect of the Matrix universe, including two new audio commentaries on each film, Enter the Matrix video game footage, 106 deep-delving featurettes/ documentaries and much more!

Theatrical: 1982

Studio: Universal Studios

Genre: Action & Adventure

Duration: 193

Summary: A remastered set with new 5.1 Dolby Surround audio, commentary tracks, new documentaries and deleted scenes.
Fast Times at Ridgemont High
Before he became an overrated filmmaker, Cameron Crowe ("Almost Famous") was a reporter for Rolling Stone who was so youthful looking that he could go undercover for a year at a California high school and write a book about it. He wrote the script for this film, based on that book, and it launched the careers of several young actors, including Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, and, above all, Sean Penn. The story line is episodic, dealing with the lives of iconic teen types: one of the school's cool kids, a nerd, a teen queen, and, most enjoyably, the class stoner (Penn), who finds himself at odds with a strict history teacher (a wonderfully spiky Ray Walston). This is not a great movie but very entertaining and, for a certain age group, a seminal movie experience. "--Marshall Fine"
Dazed & Confused
You remember high school? "Really" remember? If you think you do, watch this film: it'll all really come racing back. After changing the world with the generation-defining "Slacker", director Richard Linklater turned his free-range vérité sensibility on the 1970s. As before, his all-seeing camera meanders across a landscape studded with goofy pop culture references and poignant glimpses of human nature. Only this time around, he's spreading a thick layer of nostalgia over the lens (and across the soundtrack). It's as if "Fast Times at Ridgemont High" was directed by Jean-Luc Godard. The story deals with a group of friends on the last day of high school, 1976. Good-natured football star Randall "Pink" Floyd navigates effortlessly between the warring worlds of jocks, stoners, wannabes, and rockers with girlfriend and new-freshman buddy in tow. Surprisingly, it's not a coming-of-age movie, but a film that dares ask the eternal, overwhelming, adolescent question, "What happens next?" It's a little too honest to be a light comedy (representative quote: "If I ever say these were the best years of my life, remind me to kill myself."). But it's also way too much fun (remember souped-up Corvettes and bicentennial madness?) to be just another existential-essay-on-celluloid. "--Grant Balfour"

Theatrical: 2006

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 94

Summary: As an overdose of eye candy, "Ultraviolet" can be marginally recommended as the second-half of a double-feature with "Aeon Flux". Both films are disposable adolescent fantasies featuring a butt-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI. Director Kurt Wimmer fared much better with his earlier film "Equilibrium", but he's trying for a lively comic-book vibe here (beginning with "Hulk"-like opening credits) with a digitally enhanced, "Tron"-like color palette. It largely suits this late-21st century story of a "blood war" between the ultra-violent Violet (Jovovich), member of a vampire-like group of resistance fighters infected with a man-made virus called the Hemophage, and the human Vice Cardinal Daxus (Nick Chinlund), who's determined to eliminate Violet's kind once and for all. Wimmer takes all of this way too seriously, crafting a plot involving Violet's rescue of a human clone boy (Cameron Bright) that's intended as an homage to John Cassevetes' 1980 drama "Gloria", but Wimmer's good intentions are mostly lost in a repetitive series of chaotically choreographed fight scenes, mostly involving the tight-bodied Jovovich wiping out dozens of armor-clad enemies. It's all too numbingly hectic to qualify as a satisfying movie, but sci-fi buffs should give it a look anyway, if only to see how locations in Shanghai and Hong Kong contribute to the film's futuristic design."--Jeff Shannon"

Theatrical: 2000

Studio: Walt Disney Video

Genre: Drama

Duration: 106

Summary: When "Unbreakable" was released, Bruce Willis confirmed that the film was the first in a proposed trilogy. Viewed in that context, this is a tantalizing and audaciously low-key thriller, with a plot that twists in several intriguing and unexpected directions. Standing alone, however, this somber, deliberately paced film requires patient leaps of faith--not altogether surprising, since this is writer-director M. Night Shyamalan's daring follow-up to "The Sixth Sense". While just as assured as that earlier, phenomenal hit, "Unbreakable" is the work of a filmmaker whose skill exceeds his maturity, its confident style serving a story that borders on juvenile. However, Shyamalan's basic premise--that comic books are the primary conduit of modern mythology--is handled with substantial relevance.
Willis plays a Philadelphia security guard whose marriage is on the verge of failing when he becomes the sole, unscathed survivor of a devastating train wreck. When prompted by a mysterious, brittle-boned connoisseur of comic books (Samuel L. Jackson), he realizes that he's been free of illness and injury his entire life, lending credence to Jackson's theory that superheroes--and villains--exist in reality, and that Willis himself possesses extraordinary powers. Shyamalan presents these revelations with matter-of-fact gravity, and he draws performances (including those of Robin Wright Penn and Spencer Treat Clark, as Willis's wife and son) that are uniformly superb. The film's climactic revelation may strike some as ultimately silly and trivial, but if you're on Shyamalan's wavelength, the entire film will assume a greater degree of success and achievement. "--Jeff Shannon"

Theatrical:

Studio: Sony Pictures Home Entertainment

Genre:

Duration: 1 hour and 57 minutes

Summary: Item exactly as described and pictured in listing. Quick ship and safely packed. Easy transaction. Would do business again.

Theatrical: 2003

Studio: Lions Gate

Genre: Action & Adventure

Duration: 97

Summary: No Description Available.
Genre: Horror
Rating: R
Release Date: 1-MAY-2007
Media Type: DVD

Theatrical: 1992

Studio: American Broadcasting Company (ABC)

Genre: Action & Adventure

Duration: 102

Summary: Steven Seagal can consider himself lucky if he ever makes a better movie than this one, which was appropriately dubbed ""Die Hard" on a battleship" when released in 1992. Seagal handles the heroic duties with his usual wooden efficiency, but the movie's greatest assets are a punchy script and the scene-stealing performances of Tommy Lee Jones and Gary Busey. The two play leaders of a terrorist group who take over the venerable battleship USS "Missouri" during its final commissioned voyage. They're crazed psychotics who seize control of the ship's nuclear arsenal, but they don't know that Seagal--as the ship's cook, no less--is a former Navy hero, lurking in the shadows and waiting to spoil their nefarious scheme. Director Andrew Davis ("The Fugitive") helms the action with skillful style, and as the cheesecake stripper who proves handy with a hand grenade, "Playboy" Playmate-turned-actress Erika Eleniak gives Seagal another reason to strut his macho stuff. "Under Siege" is hormonal hokum for gun-happy viewers, but as action movies go, this one's a definite guilty pleasure. "--Jeff Shannon"

Theatrical:

Studio: Arrow Video

Genre:

Duration: 1 hour and 43 minutes

Summary: MY OPINION OF THIS FILM:
The clear consensus is that "Under Seige" was Segal's finest film. It topped box office charts and made more money than any other "critic-prescreen-film" of the time! Steven Segal, particularly in his leaner, younger, years, provided some of the best real-as-life martial arts moves ever seen on film. Of the many entertaining movies he has played, really only four or five stand out as greats, and this is one of them.

FILM BACKGROUND INFORMATION:
The USS Alabama museum ship stood in for most of the Missouri sequences, and the USS Drum portrayed the North Korean submarine.

Based on an original screenplay by J. F. Lawton, Under Siege was rated 'R' ('Restricted') by the MPAA. The UK release was edited for violence to get a more commercial 15 certificate. Ten seconds were removed from the film, chiefly from the workshop fight and a shot of Seagal ripping out a man's throat.

Seagal got into a heated argument that escalated into violence with an extra named Tyler Combs. Combs repeatedly made sexual advances towards Seagal. Gary Busey broke the fight up.

The film makes extensive use of the IntroVision process, a variation of front projection that allows realistic three-dimensional interaction of foreground characters with projected backgrounds without the heavy cost of traditional bluescreen effects. The technique was also used in the films Outland, Megaforce, Army of Darkness and Andrew Davis' The Fugitive.

Its opening weekend, Under Siege made $15,760,003 from 2,042 theaters, with a $7,717 average. From there, it went on to make $83,563,139. Worldwide, it made $156,563,139. At the time, it was the most successful film ever that had not been screened for any critics prior to its release.

The movie was also a critical success, with many hailing Tommy Lee Jones and Gary Busey as the villains. Rotten Tomatoes gives the film a score of 75% based on reviews from 24 critics. This is the only Steven Seagal movie to be certified fresh on Rottentomatoes.com. It's also the only Seagal movie to receive Academy Awards nomination (though it did not win).

After seeing this film, Harrison Ford was so impressed by Andrew Davis' directing work that he immediately signed on to play Dr. Richard Kimble in Davis' adaptation of The Fugitive.[citation needed]

The film was nominated for two Academy Awards; Best Sound Effects Editing and for Best Sound (Donald O. Mitchell, Frank A. Montaño, Rick Hart and Scott D. Smith).

My thanks to Wikipedia for all of the above background information.

STORY:
Andrew Davis directed this exciting thriller starring Steven Seagal, sans ponytail, and featuring electric, over-the-top performances by Gary Busey and Tommy Lee Jones. This action saga takes place on the battleship USS Missouri, about to be decommissioned from service after a visit from George Bush. When Bush departs the vessel, a band of terrorists overcome the remaining skeleton crew and take over the ship, under the ruse of holding a surprise birthday party for the ship's commander, Captain Adams (Patrick O'Neal). The band is led by Strannix (Jones), a disgruntled ex-CIA operative, and his right-hand man, the psychotic Krill (Busey). The terrorists plan to steal the ship's store of nuclear warheads, transfer them to a stolen North Korean submarine, and sell them to a Middle Eastern country. Unfortunately for Strannix, he has overlooked the ship's cook, Casey Ryback (Seagal). Ryback is a much-honored Navy SEAL who, because of a minor scandal, is quietly completing his twenty-year tour in the galley of the Missouri. Forced into action, Ryback, along with the woman who jumped out of Captain Adams' birthday cake (Erika Eleniak), knocks off the bad guys one-by-one while crawling inside the bowels of the ship.

COMMENTS TO THE READER:
Buy it, enjoy it, and then watch it over and over again...with your friends! I actually have both the DVD and the Blu-ray copies!

Theatrical: 2002

Studio: Universal Studios

Genre: Action & Adventure

Duration: 86

Summary: Blaxploitation movies deserve a good spoofing, and "Undercover Brother" tweaks the subgenre with a few good laughs. But what might have been an Afro-centric "Austin Powers" (adapted by John Ridley from his Internet film series) is instead a lackluster comedy with one basic joke: "Whitey"--personified as a faceless corporate despot known as "the Man"--has the power, but black folks have "soul". With enough funk to make "Shaft" look passé, Eddie Griffin plays "U.B." with an oversized 'fro and a firm grasp of comedic possibilities. He's recruited by the B.R.O.T.H.E.R.H.O.O.D. (an all-black justice league) to foil the Man's plan to derail a Colin Powell-like presidential candidate (Billy Dee Williams), and U.B.'s undercover exploits keep the slim plot moving. Denise Richards and Neil Patrick Harris are gamely ridiculed as token white allies, and it's all in good fun as director Malcolm D. Lee (Spike's cousin) finds room for mild jolts of relevant social commentary. "--Jeff Shannon"

Theatrical: 2007

Studio: Walt Disney Video

Genre: Action & Adventure

Duration: 82

Summary: What happens when mad scientist Dr. Simon Barsinister (Peter Dinklage) and a former police beagle Shoeshine (voiced by Jason Lee) are involved in a fiery lab accident? A dog with superpowers is born (soon to be dubbed Underdog) and Dr. Barsinister becomes a man obsessed with revenge and bent on genetically modifying the entire population of Capital City. An unwitting former policeman Dan (James Belushi) and his son Jack (Alex Neuberger) adopt Shoeshine in hopes of improving their strained relationship and what follows is a typical scene of home destruction by a young dog multiplied exponentially by the incredible strength, speed, and newly developed language skills of one super dog. While Jack and Shoeshine struggle with the conflict between Shoeshine's desire to be a regular dog and Jack's insistence that he use his newfound powers to help people, mayhem reigns in Capital City as Barsinister and his henchman Cad (Patrick Warburton--"Emperor's New Groove") wreak havoc on the entire city and Jack's dad, schoolmate Molly (Taylor Momsen), and her dog Polly (voiced by Amy Adams--"Enchanted") are all unwittingly dragged into the conflict. Underdog dedicates himself to good, quickly becoming revered as a superhero, but ultimately it will take the combined efforts and understanding of Underdog, Jack, Dan, Molly, and Polly to defeat Barsinister and save Capital City from destruction. Based on the original animated "Underdog" television series, this live action film is entertaining, if not great. Bonus features include deleted scenes with director introductions, bloopers, a 5-minute glimpse of the logistics of shooting animals and blending live action with animation, and the first "Underdog" cartoon "Safe Waif." (Ages 3 to 12) "--Tami Horiuchi"
NOTE: This DVD offers both full screen and wide screen formats, but defaults to full screen with the wide screen option accessible only through the audio option menu.

Theatrical: 2003

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 121

Summary: "Blade" meets "The Crow" and "The Matrix" in "Underworld", a hybrid thriller that rewrites the rulebook on werewolves and vampires. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of "Godzilla", "Men in Black", and "Independence Day". His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. "--Jeff Shannon"

Theatrical: 2006

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 106

Summary: Better action, a bit of sex, and gorier R-rated violence make "Underworld: Evolution" a reasonably satisfying sequel to 2003's surprise hit "Underworld". Looking stunning as ever in her black leather battle gear, Kate Beckinsale is every goth guy's fantasy as Selene, the vampire "death dealer" who's now fighting to stop the release of the original "Lycan" werewolf, William (Brian Steele) from the prison that's held him for centuries. As we learn from the film's action-packed prologue, William and his brother Marcus (Tony Curran) began the bloodline of vampires and werewolves, and after witnessing centuries of warfare between them, their immortal father Corvinus (Derek Jacobi) now seeks Selene and the human vampire/lycan hybrid Michael (Scott Speedman) to put an end to the war perpetuated by Victor (Bill Nighy), the vampire warrior whose betrayal of Selene turns "Underworld: Evolution" into an epic tale of familial revenge. This ambitious attempt at Shakespearean horror is compromised by a script (by Danny McBride and returning director Len Wiseman, Beckinsale's real-life husband) that's more confusing than it needs to be, with too many characters and not enough storytelling detail to flesh them all out. Aspiring to greatness and falling well short of that goal, "Underworld: Evolution" succeeds instead as a full-throttle action/horror thriller, with enough swordplay, gunplay, and CGI monsters to justify the continuation of the "Underworld" franchise. If you're an established fan, this is a must-see movie; if not, well... at least it's better than "Van Helsing"! "--Jeff Shannon"

Theatrical: 2016

Studio: KD Media

Genre: Action, Fantasy

Duration: 91

Summary: In UNDERWORLD: BLOOD WARS muss Vampirin und Todeshändlerin Selene (KATE BECKINSALE) die brutalen Attacken des Lykaner-Klans und der Vampire, die sie verraten haben, abwehren. Zusammen mit ihren einzigen Verbündeten David (THEO JAMES) und dessen Vater Thomas (CHARLES DANCE), gilt es, den ewigen Kampf zwischen Werwölfen und Vampiren zu beenden, selbst wenn sie dafür das ultimative Opfer bringen muss.

Theatrical:

Studio: A&E HOME VIDEO

Genre: Documentary

Duration: 2115

Summary: We once thought of ourselves to be at the center of the world, now we know that we are just a small spec in a giant universe.

Immerse yourself in an astonishing exploration of space with the first three seasons of this epic series from HISTORYTM. Shot in HD with stunning footage from NASA and packed with state-of-the-art CGI graphics THE UNIVERSE takes viewers on a visually arresting journey across the galaxy to bring the beauty and mysteries of the cosmos a little closer to home. Delve into the cataclysmic events that set the stage for life, and visit sites where Earth s birthing process is still in evidence. Relive astronomical triumphs, from the first crude lenses that were able to magnify celestial bodies to probes that blaze to the most distant planets. See the hottest events in the sky, from colliding celestial bodies to collapsing suns. And venture into the uncharted territory of outer space through the visions, studies, and predictions of scientists and explorers on this journey of cosmic discovery, amazement, and adventure.

Now available on stunning Blu-ray, THE UNIVERSE MEGASET includes all 43 original episodes of the first three seasons of this epic series plus the feature-length documentary Beyond the Big Band on 10 discs.

Theatrical: 2011

Studio: Warner Bros. Pictures

Genre: Television

Duration: 113

Summary: The surprise hit "Taken", from 2008, contained a number of red meat pleasures, but chief among them was Liam Neeson's reinvention as an action hero, turning his trademark wounded brusqueness and gentle-giant physique towards new, head-clunking avenues. Despite an ad campaign that makes it appear to be a direct action-packed continuation of that earlier film, "Unknown" proves to be a somewhat different creature--a sleek mystery that occasionally gives in to temptation and lets its hulking star call down the righteous thunder. Based on a novel by Didier Van Cauwelaert, the story follows a mild-mannered botanist in Berlin with his wife ("Mad Men"'s January Jones) for a mysterious scientific conference. After a freak car accident, he wakes up in the hospital with scrambled memories, missing identification, and--most ominously--someone else claiming to be him. Director Jaume Collet-Serra, previously responsible for the admirably berserko "Orphan", handles the early paranoiac cloak-and-dagger passages with aplomb (and delivers one quick beaut of a car chase), but proves less sure-footed when the story drifts towards more conventional "Bourne"-style punch-ups. Thankfully, Neeson does a fine job keeping things grounded whenever the narrative starts to wander, with able support from Diane Kruger as a cab driver unwillingly along for the ride. There's the germ of a genuinely intriguing, thoughtful thriller inside "Unknown"--particularly during a superbly minimalist scene between supporting cast members Frank Langella and Bruno Ganz--but it mostly seems content to stay within the realm of a high-pedigreed, reasonably taut action film. Which isn't all that bad of a thing, really. "--Andrew Wright"

Theatrical: 2005

Studio: Universal Studios Home Entertainment

Genre: Action & Adventure

Duration: 102

Summary: Luc Besson wrote and directed the stylish thrillers "La Femme Nikita" and "The Professional"; though he didn't direct "Unleashed", the script has his trademark fusion of outrageous sentimentality and over-the-top violence. Hong Kong action superstar Jet Li ("Romeo Must Die", "Hero") stars as Danny, a man raised to be a brutal attack dog by a nasty gangster named Bart (Bob Hoskins, "Mona Lisa")--when Bart removes Danny's collar, Danny pulverizes everyone in the room. But a chance encounter with a blind piano tuner (Morgan Freeman, "Million Dollar Baby") reveals to Danny the possibility of a less brutal life, and when a retaliation attack gives him the chance to escape, he does--but Bart won't let him go that easily. The fighting in "Unleashed" is effectively jolting; Li and fight choreographer Yuen Wo Ping ("The Matrix") have purposefully stripped away the smoothness of most movie combat (especially with a genuine martial artist like Li) with raw, unnerving results, especially when juxtaposed with the sweet and earnest scenes of Li regaining his humanity with Freeman and his step-daughter (Kerry Condon). This freewheeling cocktail of bloody noses and ice-cream cones isn't for everyone, but fans of both Besson and Li will leave satisfied. "--Bret Fetzer"

Theatrical: 1993

Studio: MGM (Video & DVD)

Genre: Comedy

Duration: 102

Summary: If you're a die-hard romantic with a soft spot for three-hanky weepers, this well-acted love story from 1993 will be just what the doctor ordered. It's about a waitress named Caroline (Marisa Tomei) who works the graveyard shift in a Minneapolis diner, where the silent, introverted Adam (Christian Slater) works as a dishwasher and janitor. Only Caroline manages to bring the solitary Adam out of his shell, and when he rescues her from an assault, their tentative friendship slowly blossoms into mutual trust and love. Adam has a weak heart and desperately needs a heart transplant, but a story told to him by orphanage nuns--that he was raised in the jungle with the powerful heart of a baboon--makes him feel invincible. This sets the stage for a tender and tragic love story that director Tony Bill handles as a delicate balance of blue-collar reality and misty-eyed fairy tale, and the quiet chemistry between Tomei and Slater makes it work. If you don't get a little choked up by the movie's heartfelt conclusion, you just might need a heart transplant yourself. "--Jeff Shannon"

Theatrical:

Studio: Kinowelt

Genre: Action & Adventure

Duration: 279

Summary: Germany released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), German ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: 3-DVD Set, Alternative Footage, Biographies, Box Set, Interactive Menu, Trailer(s), Uncut, SYNOPSIS: Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who befriend and enlist her help to take the money to a drop in Paris. On the way she runs into another fugitive from the law (Hurt), an American who is being chased by the CIA. The charges are false, he says, that they want to confiscate a device his father has invented which allows you to record your dreams and vision. On the run from the bank robbers and the CIA, they span the globe, ending up in Australia at the research facility of his father (von Sydow), where they hope to be able to play back the recordings Hurt has made to his blind mother.

Theatrical: 1987

Studio: Paramount

Genre: Action & Adventure

Duration: 119

Summary: As noted critic Pauline Kael wrote, the 1987 box-office hit "The Untouchables" is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic "Battleship Potemkin". It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, "The Untouchables" may very well strike you as a classic. "--Jeff Shannon"

Theatrical: 2008

Studio: Sony Pictures

Genre: Action & Adventure

Duration: 101

Summary: "Untraceable" fuses "Saw" with "The Net" in a perverse yet moralistic story about a psychopath who broadcasts acts of torture over the internet--all to better reveal the twisted underbelly of the American public, who hasten the victims' deaths simply by looking at the website. FBI agent Jennifer Marsh (Diane Lane, her mature-sexy mojo tamped down but still simmering in the corners of her eyes and the nape of her neck) launches a cyberhunt for the killer, only to find herself and her team caught up in his murderous scheme. It's hard to make tapping on a keyboard and staring at a computer screen exciting, but "Untraceable" does its best by making Marsh and her cybercrimebusting partner (Colin Hanks, "King Kong") rattle off cascades of jaunty techno-jargon and do impressive bits of long-distance surveillance. The movie aims for the audience that flocked to see Ashley Judd in thrillers like "Kiss the Girls" and "Double Jeopardy", but it's hard to say if fans of Lane's romantic fare like Under the Tuscan Sun or Must Like Dogs will enjoy the queasy violence. Nonetheless, the cast--including Mary Beth Hurt ("The World According to Garp") as Marsh's mother--does a solid job and the movie clips along at an aggressive pace, maintaining tension throughout. --"Bret Fetzer"

Stills from "Untraceable" (click for larger image)












Beyond "Untraceable"
On DVD
UMD for PSP
Soundtrack CD

Theatrical: 2009

Studio: Disney*Pixar

Genre: Kids & Family

Duration: 96

Summary: At a time when too many animated films consist of anthropomorphized animals cracking sitcom one-liners and flatulence jokes, the warmth, originality, humor, and unflagging imagination of Up feel as welcome as rain in a desert. Carl Fredericksen (voice by Ed Asner) ranks among the most unlikely heroes in recent animation history. A 78- year-old curmudgeon, he enjoyed his modest life as a balloon seller because he shared it with his adventurous wife Ellie (Ellie Docter). But she died, leaving him with memories and the awareness that they never made their dream journey to Paradise Falls in South America. When well-meaning officials consign Carl to Shady Oaks Retirement Home, he rigs thousands of helium balloons to his house and floats to South America. The journey's scarcely begun when he discovers a stowaway: Russell (Jordan Nagai), a chubby, maladroit Wilderness Explorer Scout who's out to earn his Elderly Assistance Badge. In the tropical jungle, Carl and Russell find more than they bargained for: Charles Muntz (Christopher Plummer), a crazed explorer whose newsreels once inspired Carl and Ellie; Kevin, an exotic bird with a weakness for chocolate; and Dug (Bob Peterson), an endearingly dim golden retriever fitted with a voice box. More importantly, the travelers discover they need each other: Russell needs a (grand)father figure; Carl needs someone to enliven his life without Ellie. Together, they learn that sharing ice-cream cones and counting the passing cars can be more meaningful than feats of daring-do and distant horizons. Pete Docter (Monsters, Inc. ) and Bob Peterson direct the film with consummate skill and taste, allowing the poignant moments to unfold without dialogue to Michael Giacchnio's vibrant score. Building on their work in The Incredibles and Ratatouille, the Pixar crew offers nuanced animation of the stylized characters. Even by Pixar's elevated standards, Up is an exceptional film that will appeal of audiences of all ages. Rated PG for some peril and action. --Charles Solomon

Stills from Up (Click for larger image)

Theatrical:

Studio: Kl Studio Classics

Genre:

Duration: 1 hour and 36 minutes

Summary: Great obscure 80's film. I remember watching it on HBO! Still funny as Heck. Wish but was available for purchase on digital.

Theatrical:

Studio: Universal Studios Home Entertainment

Genre: Comedy

Duration: 100

Summary: Upgrade is a thrilling and hyper violent vision of the future from the producers of Get Out and The Purge, and the creator of Saw and Insidious. After his wife is killed during a brutal mugging that also leaves him paralyzed, Grey Trace (Logan Marshall-Green, Spider-Man: Homecoming, Prometheus) is approached by a billionaire inventor with an experimental cure that will "upgrade" his body. The cure–an Artificial Intelligence implant called STEM–gives Grey physical abilities beyond anything experienced, and the ability to relentlessly claim vengeance against those who murdered his wife and left him for dead.

Theatrical: 1995

Studio: Metro Goldwyn Mayer

Genre: Action & Adventure

Duration: 106

Summary: Ever since this convoluted thriller dazzled audiences and critics in 1995 and won an Oscar for Christopher McQuarrie's twisting screenplay, "The Usual Suspects" has continued to divide movie lovers into opposite camps. While a lot of people take great pleasure from the movie's now-famous central mystery (namely, "Who is Keyser Söze?"), others aren't so easily impressed by a movie that's too enamored of its own cleverness to make much sense. After all, what are we to make of a final scene that renders the entire movie obsolete? Half the fun of "The Usual Suspects" is the debate it provokes and the sheer pleasure of watching its dynamic cast in action, led (or should we say, misled) by Oscar winner Kevin Spacey as the club-footed con man who recounts the saga of enigmatic Hungarian mobster Keyser Söze. Spacey's in a band of thieves that includes Gabriel Byrne, Stephen Baldwin, Kevin Pollak, and Benicio Del Toro, all gathered in a plot to steal a large shipment of cocaine. The story is told in flashback as a twisted plot being described by Spacey's character to an investigating detective (Chazz Palmintieri), and "The Usual Suspects" is enjoyable for the way it keeps the viewer guessing right up to its surprise ending. Whether that ending will enhance or extinguish the pleasure is up to each viewer to decide. Even if it ultimately makes little or no sense at all, this is a funny and fiendish thriller, guaranteed to entertain even its vocal detractors. "--Jeff Shannon"